When the movie is better. March 24, 2011Posted by ourfriendben in wit and wisdom.
Tags: Alexander McCall Smith, books, books made into movies, Jane Austen, movies, Sherlock Holmes, Tony Hillerman
Our friend Ben and Silence Dogood are great readers, but we try not to be book snobs. People love to belittle movies by comparing them, unfavorably, to the books on which they were based. (The Lord of the Rings movie series comes to mind as a justifiable example of this, reducing a wonderful trilogy to a two-dimensional endless battle sequence worthy of a video game.) But sometimes the movies are better.
Perhaps it was the death of Elizabeth Taylor, possibly the most beautiful woman who ever lived, certainly the most beautiful we ever saw, that brought the topic to mind. Or watching the first episode of “The Pallisers” last night, or comparing the recent version of “True Grit” with the original. But whatever the case, we challenged each other to name some movies that were far superior to the books that inspired them.
First on our list was “The Running Man.” The novella that inspired the movie was little more than a two-dimensional sketch by Stephen King (writing as Richard Bachman). For whatever reason, the scriptwriters managed to flesh the story out with real characters, lots of color, and actual depth. Ditto for Michael Crichton’s Rising Sun versus the Sean Connery-led film “Rising Sun.” Silence would add the Timothy Dalton version of “Jane Eyre” and both the Gwyneth Paltrow and Kate Beckinsale versions of Jane Austen’s “Emma” to the list. Certainly, “Gone with the Wind” and “The Godfather” were far better on film than on paper. Ditto most of the James Bond movies and the Conan movies. “The Commitments,” the marvelous fleshing out of a very slight novella by Roddy Doyle. And “Slumdog Millionaire,” the brilliant bringing to life of an Indian novel called Q&A, a first effort by Vikas Swarup.
Plays are not immune, either. “A Man for All Seasons” and “Amadeus” are two cases where the film trumped the play; ditto “The Rocky Horror Picture Show.”
Sometimes, we feel that the film versions and book versions come out as a draw. We both love the Tony Hillerman mystery series featuring Jim Chee and Joe Leaphorn. But we also really enjoyed the Robert Redford-produced dramatizations of the series. We feel the same for the movie “Smoke Signals” and the Sherman Alexie short stories on which it was loosely based. And we really enjoy both Alexander McCall Smith’s delightful No. 1 Ladies’ Detective Agency series and its TV adaptation.
Then there are the film versions that fall short. Besides the Lord of the Rings movies, there is the issue of Sherlock Holmes. Silence and I love Basil Rathbone as Holmes and respect Jeremy Brett’s interpretation of Holmes as a twitchy, ADHD-bipolar genius enormously. But we are still waiting for the ultimate interpretation, the one that truly lives up to the stories and books. Silence enjoys the various interpretations of her favorite Jane Austen book, Pride and Prejudice, from the BBC version to the Jennifer Ehle/Colin Firth film to “Clueless” and “Bride and Prejudice,” the Bollywood version. But she still thinks the ultimate interpretation has yet to be done.
And of course, there are the books that should be made as films but are still waiting: Guy Gavriel Kay’s A Song for Arbonne and Tigana; Joan Vinge’s The Snow Queen and The Summer Queen; Sheri Tepper’s Grass and The True Game trilogy; Mary Stewart’s Nine Coaches Waiting; Mary Gentle’s Ancient Light and Golden Witchbreed; Wendell Berry’s Port William novels; Sharon Kay Penman’s Here Be Dragons and Falls the Shadow; Hope Munt’s The Golden Warrior. Directors, producers, scriptwriters, where are you?!!!
Readers, we know you have additions to our various lists. Please share them with us! And meanwhile, let’s take a moment to honor those often-invisible, overlooked entities, screenwriters, who can turn run-of-the mill text into great cinema.